Versatile singer Fatima Tuz Zahra Oyshee has established herself as a prominent voice in contemporary Bangladeshi music. Known for popular songs such as “Dillite Nizamuddin Awolia”, “Maya” and “Dehobazi”, she has earned both critical acclaim and audience appreciation. The singer won the National Film Award in 2019 for her rendition of “Maya”. Her latest release, “Noakhailla Maiya”, featuring rapper Black Zang, has also received an encouraging response from listeners. Recently, Oyshee spoke with Anindita Naheen of the Daily Sun about her latest projects, musical experiments, criticism and the challenges of balancing her career in music with her profession as a doctor.
Your latest song, ‘Noakhailla Maiya’, has been appreciated by the audience. What projects are currently keeping you busy?
“Noakhailla Maiya” was an experimental song for me, and I’m still receiving praise from listeners. I’ve also been appreciated for “Amare Nao” from the web film “Life Line”. The two songs are completely different in mood and style--one energetic and commercial, the other soulful and emotional. Currently, I’m working on several singles, including a Sufi-inspired song, a modern commercial track and a fusion project. I want to explore diverse musical styles while creating songs that audiences can connect with and relate to.
Which of your song is closest to your heart, and why?
Every song is like my child, so it is difficult to choose just one. However, at this moment, my recent favourite is ‘Amare Nao’. The soulful and emotional song centred on the relationship between a father and his daughter. It touched me deeply. I became very emotional while recording the project. Some songs become special because of the memories and feelings attached to the recording process, and ‘Amare Nao’ is one of those songs for me.
You are also a doctor by profession. How do you balance your medical career with music?
It is definitely challenging, but I have accepted it. Both professions are important to me, and I remain honest and sincere in each. One is demanding, while the other is creative. Both require learning, dedication, and passion. Managing time can sometimes be difficult, but when you genuinely love what you do, you find ways to continue pursuing both.
How do you handle criticism from the audience and on social media?
I don’t use social media much, apart from sharing updates about my work. I welcome constructive criticism because it helps me recognise my shortcomings and improve as an artiste. However, there is a difference between criticism and trolling, and unfortunately, much of social media today leans towards the latter. I also dislike misleading videos and sensational headlines about celebrities. Sometimes, pages use only a small portion of a longer video, changing the context completely. I believe we should consume and share information responsibly and always understand the full context before reacting.
Is there any musical genre you would like to explore further in the future?
I have been experimenting with different genres since my childhood. I always wanted to be a versatile singer. I enjoy folk music, but I also love singing Nazrul Sangeet, modern and other styles. My first album, Oyshee Express, was released in 2015, and since then I have tried to explore different types of music throughout my career. I particularly enjoy experimenting with my songs. “Noakhailla Maiya” was also created from that perspective. It is an Afro-fusion track that also incorporates elements of hip-hop. I would definitely like to do more experimental songs in the future.
We do not see you doing much playback singing lately!
Since winning the National Film Award, I have become more selective about playback singing. After nearly a decade in the music industry, I now prioritise quality over quantity. I want to work on songs that inspire me creatively and allow me to grow as a singer. I am currently discussing a few projects and hope to announce them soon.